I’ve seen bad trailers. I’ve seen forgettable ones. But War 2 gave me something new — disappointment that felt personal. Not because it was terrible, but because it had every reason to be brilliant and somehow chose not to be.
The moment Jr NTR entered the YRF Spy Universe, the stakes shot up. Two powerhouses — him and Hrithik Roshan — in the same film? Expectations weren’t just high; they were astronomical. But the second Sidharth Anand bowed out and Ayan Mukerji stepped in, a flicker of doubt crept in. Not because Ayan can’t direct — but because we’ve seen what happens when concept outpaces execution (Brahmastra, anyone?).
War 2 Trailer Review: When Expectations Soared and the Spy Universe Stumbled
The trailer begins with bold declarations — Hrithik’s promise to become a shadow, Jr NTR’s thunderous “Maarunga ya mar jaaunga”. And then? Nothing. A stare-down between two cinematic titans that lands with the weight of a paper punch. You can’t quite point to one fatal flaw because the whole thing floats in a sea of mediocrity. It’s like biting into what you thought was a chilli chocolate truffle and realising it’s just plain vanilla.
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This was meant to be the Spy Universe’s event moment. Instead, the only real spark comes from Kiara Advani’s surprisingly sleek action shots. When the woman in the side lane outpaces both lead racers, you know the race isn’t going well.
This trailer doesn’t ignite excitement; it ignites uncertainty. About the film, about the Spy Universe, and about the decision to hand it over to a director whose strengths lie in emotion and mythology, not sleek espionage and testosterone-fuelled showdowns.
If War 2 was supposed to raise the bar, it forgot to lift it in the first place. All I’m left with is nostalgia for when War meant style, scale, and adrenaline, not polite camera angles and hollow declarations.
War 2 Trailer
You may also like to check out the reviews of Nick Rowland’s She Rides Shotgun is a gritty, emotionally charged thriller powered by breakout performances from Taron Egerton and Ana Sophia Heger.
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